Keyword Observation

Eccentric consulting detective Sherlock Holmes and Doctor John Watson battle to bring down a new nemesis and unravel a deadly plot that could destroy England.

Five young people apply to live in an isolated house together for six months whilst their every move is filmed by numerous cameras.

Drawing from never-before-seen footage that has been tucked away in the National Geographic archives, director Brett Morgen tells the story of Jane Goodall, a woman whose chimpanzee research revolutionized our understanding of the natural world.

Dr Michael Mosley explores the bizarre and fascinating world of parasites by turning his body into a living laboratory and deliberately infesting himself with them.

What is peace? What is coexistence? And what are the basis for them? PEACE is a visual-essay-like observational documentary, which contemplates these questions by observing the daily lives of people and cats in Okayama city, Japan, where life and death, acceptance and rejection are intermingled.

Selamet, who is working at the old central of a company which is on the eve of moving to a big center, tries to make his life similar to a stranger on the phone by discovering his closeness to that person.

A former police officer accidentally killed a bystander while hunting criminals. Now he lives alone, continues to search for the criminal and spies on a young neighbor. His relationship with her becomes dangerous for both of them.

Maniac Summer consists of images and sounds recorded in Paris in the summer of 2009. It is a sprawling triptych without a beginning or end and with no specific subject or topic. The camera is positioned in front of a window and left running. It observes movements, registers noises coming from the street or nearby park, captures Chantal Akerman going about her business in her apartment: smoking, working, talking on the telephone. Fragments from the artist’s everyday life are featured in the installation’s central video, while the adjoining panels are more symbolically charged; in them, various images from the former have been isolated, modified and repeated. These abstract afterimages act as a kind of memory, looking back to the images in the installation’s centrepiece as so many shadows of its reality.