In 1825, Clare, a 21-year-old Irish convict, chases a British soldier through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. She enlists the services of an Aboriginal tracker who is also marked by trauma from his own violence-filled past.
Two drag queens and a transgender woman contract to perform a drag show at a resort in Alice Springs, a town in the remote Australian desert. As they head west from Sydney aboard their lavender bus, Priscilla, the three friends come to the forefront of a comedy of errors, encountering a number of strange characters, as well as incidents of homophobia, whilst widening comfort zones and exploring new horizons.
In 1931, three Aboriginal girls escape after being plucked from their homes to be trained as domestic staff, and set off on a trek across the Outback.
Under the pretense of having a picnic, a geologist takes his teenage daughter and 6-year-old son into the Australian outback and attempts to shoot them. When he fails, he turns the gun on himself, and the two city-bred children must contend with harsh wilderness alone. They are saved by a chance encounter with an Aboriginal boy who shows them how to survive, and in the process underscores the disharmony between nature and modern life.
Indigenous Detective Jay Swan arrives in the frontier town of Goldstone on a missing persons inquiry. What seems like a simple investigation unearths an intricate web of crime, corruption, human trafficking, and coordinated exploitation of indigenous people’s land. Jay must bury his differences with young local cop Josh, so together they can bring justice to Goldstone.
It's 1968, and four young, talented Australian Aboriginal girls learn about love, friendship and war when they entertain the US troops in Vietnam as singing group The Sapphires.
The first of four installments in the groundbreaking Heartbeat of the World anthology film series. Comprised of several short films by some of the world's most exciting directors, Words with Gods follows the theme of religion - specifically as it relates to an individual's relationship with his/her god or gods...or the lack thereof. In Words with Gods, each director recounts a narrative centered around human fragility, as well as environmental and cultural crises involving specific religions with which each has a personal relationship; including early Aboriginal Spirituality, Umbanda, Buddhism, the Abrahamic faiths, Hinduism, and Atheism. An animated sequence by Mexican animator Maribel Martinez is woven through each of the film segments, with each segment narratively connected as a feature-length film.
Blackfella Charlie is getting older, and he's out of sorts. The intervention is making life more difficult on his remote community, what with the proper policing of whitefella laws that don't generally make much sense, and Charlie's kin and ken seeming more interested in going along with things than doing anything about it. So Charlie takes off, to live the old way, but in doing so sets off a chain of events in his life that has him return to his community chastened, and somewhat the wiser.
In 1929, an Australian Aboriginal stockman kills a white station owner in self-defense and goes on the lam, pursued by a posse.
A story within a story within a story. In Australia's Northern Territory, an Aboriginal narrator tells a story about his ancestors on a goose hunt. A youngster on the hunt is being tempted to adultery with his elder brother's wife, so an elder tells him a story from the mythical past about how evil can slip in and cause havoc unless prevented by virtue according to customary tribal law.
Young police officer Shane Cooper's first day on duty, after relocating to the small town of Red Hill, rapidly turns into a nightmare. News of a prison break, involving convicted murderer Jimmy Conway, sends the local law enforcement officers - led by the town's ruling presence, Old Bill - into a panic and leads to a terrifying and bloody confrontation.
Samson and Delilah's world is small – an isolated community in the Central Australian desert. When tragedy strikes they turn their backs on home and embark on a journey of survival. Lost, unwanted and alone they discover that life isn't always fair, but love never judges.
In a remote corner of the wild country, a bloody war rages. Travis is a bounty hunter with one last hope of redemption. Gutjuk is a young Indigenous man trying to save the last of his family. Together they embark on a manhunt, which unravels a secret that ultimately pits them against each other.
The Australian Aborigines (in this film anyway) believe that this is the place where the green ants go to dream, and that if their dreams are disturbed, it will bring down disaster on us all. The Aborigines' belief is not shared by a giant mining company, which wants to tear open the soil and search for uranium.
Outside the Australian town of Jindabyne, local man Stuart Kane is on a fishing trip with friends when they discover the body of a murdered girl.
The story of an Aboriginal family's attempts to forge a new life for themselves within the segregated society. At the urging of headstrong teenager Trilby, the Comeaways relocate from their family camp, to a house in the main town.
A murdered girl is found under a bridge on a remote road and indigenous detective Jay Swan gets the case. Jay finds that no-one is that interested in solving the murder of an indigenous teenager and he is forced to work alone.
When an amusement park is built on the grounds of an old cemetery, the dead rise to take revenge.
A family buy land set around a water hole in a remote location, that is occupied by native Australians. The two groups clash.
Svenja and her 16-year-old daughter Kira have traveled the world a lot. Svenja is a hotel manager and is currently bringing an aging hotel in Australia back into shape. But her biggest challenge is her daughter, who has switched to complete refusal and doesn't let Svenja tell her anything anymore. Kira doesn't avoid confrontations at school either, which in turn leads to conflicts with Svenja. After another argument, Kira decides to go to Jack. Jack is Aboriginal and Kira's only friend. Together, the two young people go in search of their “special place”, their own particular locality. Svenja is beside herself with worry when she notices Kira's disappearance and gives chase with Jack's father Kalti, a deeply relaxed hotel boat guide whom Svenja had released two days earlier. An adventurous journey begins in the barren deserted Outback - for Svenja and Kira a strange world, fascinating, but also life-threatening!
Off beat, off track and online... go bush with the Black As boys as they venture into the wilds of Arnhem Land, hunting for adventure and a good feed.
This off-beat series follows the exploits of the Bush Mechanics, a group of engaging Aboriginal characters, as they travel through central Australia. Combining adventure, magic, realism and a distinctive brand of humour, Bush Mechanics provides an insight into both contemporary and traditional Aboriginal culture.
Jay Swan, a young officer, takes up his first posting in an outback mining town. A tragic death, an epic love, and the brutal reality of life as a police officer straddling two worlds will change his life forever.
n the 1880s, Jack Grant, a young Englishman, has been sent by his parents to make a new life in the pioneering colony of Western Australia. When he arrives, he is met at the dock by Mr. George, who introduces him to his mother's relatives. Jack's life is to be full of adventures, including taming horses and fighting kangaroos. Jack also competes for the love of two cousins.
Head of the family before his time, Odin Freeburn is being pulled in all directions. Can he let go of his past in time to save the future?
First Australians is an Australian historical documentary series produced by Blackfella Films over the course of six years, and first aired in October 2008. The documentary is part of a greater project that further consists of a hard-cover book, a community outreach program and a substantial website featuring over 200 mini-documentaries. The series chronicles the history of contemporary Australia, from the perspective of its first people, or Aborigines. The series is essentially a synthesis of well documented historical information. It relies heavily on archival documents and interpretations from historians and members of both the Indigenous and European community and leaders. The story begins in 1788 in Sydney, with the arrival of the First Fleet and ends in 1993 with Koiki Mabo's legal challenge to the foundation of Australia. The series comprises seven episodes in which it explores what unfolded when the oldest living culture in the world was confronted by the British Empire. It explores the lives of particular individuals and uses their stories as a vehicle to explain the larger situations of the time. It explains violent aspects of European settlement of Australia, such as killings, battles, wars, as well as acts of friendship and decency between the early European settlers and Indigenous Australians. Indigenous Australian history has until recently been clouded by the "great Australian silence" where ignorance of the real history of Australia can be seen as a way for non-Indigenous to hide shame for their own history. In this respect it has been controversial in that many of these stories have not been portrayed on Australian television before and the Indigenous Australian perspective of European settlement is confrontational for many.
There are more than ten thousand monuments across the country that honour the war dead . But what of the bloody battles fought on our home soil, in our longest-running war that established the Australian nation?
Follows the lives of seven Indigenous students as they leave home to spend a year boarding at one of the oldest and most elite boarding schools in the country, Geelong Grammar. Wrestling with their conflicting identities as students move between boarding life and home life, it creates a historic record of one of Australia's key Indigenous education pathways and a complex portrait of what it is to be an Indigenous child in Australia today.
