Keyword Dostoevsky

Trevor, an insomniac lathe operator, experiences unusual occurrences at work and home. A strange man follows him everywhere, but no one else seems to notice him.

A middle-aged man meets a young woman who is waiting on a canal bridge for her lover's return.

Kameda, who has been in an asylum on Okinawa, travels to Hokkaido. There he becomes involved with two women, Taeko and Ayako. Taeko comes to love Kameda, but is loved in turn by Akama. When Akama realizes that he will never have Taeko, his thoughts turn to murder, and great tragedy ensues.

Based on the short story of the same name by Fyodor Dostoyevsky. Petersburg 40s of the XIX century. Summer, white nights. On the banks of the Neva, the Dreamer meets Nastenka. Five nights, walking around the city, young people talk about themselves. Having lost faith in the feelings of the person whom she loves, Nastenka promises the Dreamer in love with her to marry him, but... the other appears, Nastenka is happy again, and the Dreamer is alone again.

The film is based on the first part of the novel of the same name by Fyodor Dostoevsky. Prince Myshkin returns to Russia from Switzerland, where he was treated in a psychiatric clinic. On the train, on the way to St.Petersburg, the prince meets Parfyon Rogozhin, who tells him of his passionate love for Nastasya Filippovna, the former containment woman of the millionaire Totsky. In St.Petersburg, the prince finds himself in the house of his distant relative – Lizaveta Yepanchina (General's wife), meets her husband, their daughters, as well as the Secretary of General – Ganya Ivolgin. The portrait of Nastasya Filippovna, accidentally seen on the general’s table, makes a great impression on the prince...

Nastassia Philippovna finds herself juggling the affections of four men over the course of a single evening. One is her benefactor, the bourgeois Totsky. Another is the opportunistic Ganya, whom Totsky has promised 75,000 rubles if he will marry Nastassia. Rogozhin offers Nastassia 100,000 rubles for her hand. And the “idiot,” Prince Myshkin, loves Nastassia madly and vows to “save” her.

During the Yugoslav break-up, Federal Army officer is fed up with war and takes some leave in Belgrade. However, it turns out that he is less haunted by war horrors than with some sentimental skeletons in the closet. He meets his former comrade and best friend who is AWOL, but can't report him because he had an affair with his wife.

A biographic story of one of the biggest writers of all time, Fyodor Dostoevsky, as narrated by his wife.

An Allied medic, rumored to be Jesus Christ, gets into a philosophical debate with a Catholic-Nazi in Ustasha occupied Croatia during WW2.

The Grand Inquisitor from Dostoevsky's The Brothers Karamazov produced by the Open University.

The Brothers Karamazov novel is the epitome of Fyodor Dostoevsky’s creative work, the acme of the philosophic investigation carried out by this colossal and restless mind throughout his life. World renowned choreographer Boris Eifman offers a remarkable vision of the core ideas within the novel, expanding upon them though body language as a way of exploring the origins of the moral devastation of the Karamazovs; creating through choreographic art an equivalent of what Dostoyevsky investigated so masterfully in his book, the excruciating burden of destructive passions and evil heredity. This ballet production is also known and performed as Beyond Sin.

A retelling of Crime and Punishment, the famous novel by Fyodor Dostoyevsky

A chance encounter backstage: Broken glass and a shared cigarette bring two strangers together. Three nights in which they learn to overcome social hierarchies and unrequited love. A short film inspired by Fyodor Dostoevsky's novel “White Nights”.

Sophia struggles with overthinking her life as a poor, nihilistic drifter. Exiled to a life of solitude, she has the chance to change it all upon meeting Liza one night - will she let her in or is she destined to burn it all?

The silent daily routine of a young man is revisited through Dostoevskian musings.

Italian televison adaptation of Fyodor Dostoevsky's novel of the same name. Although it is to all intents and purposes a television miniseries, the rhythm of the acting is typically theatrical: the long dialogues, the acting style and the actorly interpretation make it a true example of episodic television theatre.