Katherine Watson is a recent UCLA graduate hired to teach art history at the prestigious all-female Wellesley College, in 1953. Determined to confront the outdated mores of society and the institution that embraces them, Katherine inspires her traditional students, including Betty and Joan, to challenge the lives they are expected to lead.
Tennis star and women’s rights activist Billie Jean King won a total of 12 Grand Slam titles, but the biggest match of her career took place in 1973 against former men’s champion Bobby Riggs, a self-proclaimed male chauvinist pig who declared that, even at the age of 55, he could beat any woman in the world.
Newly employed in an emergency shelter for people experiencing homelessness, Geneviève is shaken to meet a young woman there whom she believed to have succeeded in reintegrating when she was her social worker.
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.
A bloodstain on a sheet triggers a great transformation in Tina, an eleven-year-old girl. As she spreads out the laundry with her mother, she will have to silently face all those unknown feelings she thought would never come.
Story of three women who are subjected to various forms of patriarchy and exploitation by the men around them and the society at large.
In a Parisian public hospital, Claire Simon questions what it means to live in women’s bodies, filming their diversity, singularity and their beauty in all stages throughout life. Unique stories of desires, fears and struggles unfold, including the one of the filmmaker herself.
Rakel, Marta, Karin and Annette are married to four brothers. While waiting in a summer cottage for their husbands to come home, they tell each other stories about their marriages. Rakel tells about the time she had an affair and confronted her husband with it. Marta's story is about how she at first refused to marry and had her child by herself. Karin tells about what happened when one time she and her husband got stuck in an elevator together. While the women tell their stories, Marta's younger sister Maj is planning to elope.
Women workers stand up to the toxic flower industry in Colombia.
In a meditation on the meaning behind sports in a Post-Apartheid South Africa, three young girls muse on their hopes and dreams as aspiring Drum Majorettes.
"Monday's Girls" explores the conflict between modern individualism and traditional communities in today's Africa through the eyes of two young Waikiriki women from the Niger delta. Although both come from leading families in the same large island town, Florence looks at the iria women's initiation ceremony as an honor, while Azikiwe, who has lived in the city for ten years, sees it as an indignity.
Three working-class teenage girls in a port city in Bangladesh escape daily hardships and stifling family lives by riding waves on their surfboards and grabbing hold of the fleeting and thrilling sense of freedom that brings.
Would-be filmmaker Sophie left Africa for Canada as a child. After graduating, she films the daily doings as part of a summer job at a fair. When pointing the camera at herself, she reveals painful secrets from the past.
Only women, children and old people live in this Armenian village, while the men work in Russia. A life with a rhythm of its own, an independent daily life marked nonetheless by exile.
Set against the backdrop of the Cervical Check scandal that rocks Ireland "THE LETTERS" tells the story of three women from different walks of life who have weeks to live due to the false results of their cervical cancer checks.
The Other Side of Burka is a 2004 Iranian documentary directed by Mehrdad Oskouei. In the southern island of Qeshm, Iran, which is a very strict region in point of tradition and African-Arabic rules, all women are under the pressure of patriarch society. Their sufferance is manifested by different mental (Zar, Possession) and physical diseases which must be only treated by Zar Ceremony. For the first time, despite the danger these women face, this film tells us the sad story of their life and shows their confection in front of the camera. It tries to be an honest mirror which reflects their sufferance and unveils their Burka to reveal their real characters.
Lady Parts is a dramedy feature film where a young woman’s sex life becomes a family affair when she has to undergo a vulvar vestibulectomy. Her loving, but overbearing parents help her through recovery (despite her cringing) and learn that saying “vagina” loud and proud is the first step to advocating for herself in all aspects of her life.
After the death of a patient, Crimera Pharmaceuticals, assigns the task of finding out what happened to Dr. Elena Pizano, a clinical trial analyst. She must do this with the help of the efficient and reliable artificial intelligence entity: KODA. During her findings she will come across data gaps in one of the drugs being studied, uncovering a darker truth in the world of medicine. As the organizations try to hide the information, she must decide how to handle the secrets she's just uncovered.
Sweet Sixteen presents eight 16 year old girls that unveil themselves through 8 bittersweet monologues. All highlighted in a evocative and poetic setting, the characters deliver on different themes; self-image, eating disorders, anxiety, their first love, their first kiss, friendship, sorority, sex, rape, incest, social media, social and political revolts. Constructed as a symphony form, the piece of work goes through four movements and is musically supported. The strong visual identity forces the movie to define itself somewhere between full feature film and object of art. Sweet Sixteen is a cinematographic adaptation done by Alexa-Jeanne Dubé from the play of the same name written in 2018 by the late Suzie Bastien.
Margaret (Lena Headey) is a shy, pale, middle-class Englishwoman who is reluctantly engaged to her older, twittish neighbor Syl Monro (David Threlfall). Both bride- and groom-to-be still live with their mothers in the humdrum suburb of Croydon. However Margaret has been acting strangely ever since a vacation in Egypt, where she stayed with her mother's friend Marie-Claire (Catherine Schell). She secretly despises Syl, but does not resist when her mother Monica (Julie Walters), who has repressed the failure of her own matrimony, insists on marriage for the sake of social convention.
A warm, friendly, considerate person, Hee Jae is surrounded by people who claim to know and love her. The problem for Hee Jae is that she isn’t really sure if she really understands herself. On the other hand, Mi Na is Hee Jae's confident and energetic best friend and colleague at Play Books, a supplier of books and related products centered around sex and romance. While an expert in how to achieve physical pleasure, her understanding falls short on romantic relationships. When they find themselves told to take over hosting a sex and romance advice podcast, the two feel more than a little lost...
High-profile women from the spheres of entertainment, sport, business and politics speak to BBC presenters about their work, life and ambitions
