Consejo Nacional para la cultura y las artes

During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.

The story of a young woman clinging on to her dream to become a beauty contest queen in a Mexico dominated by organized crime.

Every afternoon Noelí, a young Dominican woman, hangs out on the beach at Las Terrenas. With her boyfriend, Yeremi, they look for ways to make a living at the expense of one of the hundreds of tourists there. However Noelí also has a steady client, Anne, a much older French woman, who, like many other Europeans, has found an idyllic refuge on the island to spend her last years. For Noelí, the relationship is one of convenience, but the feelings become more intense as they plan to leave together for Paris.

In the Mexican-Guatemalan border, young teenage lovers, Sabina and Jovany, both Hondurans, accidentally meet again after some years without seeing each other. She plans to get to the United States and dreams about being a great singer; he commits all the required atrocities to be accepted by the gang: la Mara Salvatrucha. Sabina and Jovany crashed with the most adverse conditions at the border like white slavery, the Mexican and American migratory agents Burrona and Patrick, the brothel matron Doña Lita, Don Nico the Mexican Consul in Tecún Umán, the drug trafficking networks, the army and la Mara Salvatrucha.

Two wrestlers decide to go to a hotel in order to meet two prostitutes.

Set amidst the 1999 student strikes in Mexico City, this coming-of-age tale finds two brothers venturing through the city in a sentimental search for an aging legendary musician. Shot in black-and-white, Güeros brims with youthful exuberance.

Heli must try and protect his young family when his 12-year-old sister inadvertently involves them in the brutal drug world. He must battle against the drug cartel that have been angered as well as the corrupt police force.

Five men are hired to paint the yellow line the road between two villages in Mexico forgotten. Aboard an old pickup truck, initiated the work of more than two hundred kilometers of asphalt and yellow paint to be completed in less than a fortnight

On February th 1970, Carlos Castañeda de la Fuente tried to assassinate the Mexican President to avenge the Tlatelolco massacre from October 2nd 1968, defying the most repressive regime in the contemporary Mexican history. Forty years later, this failed avenger survived the system´s disproportionate retaliation, only to wander Mexico City´s streets as a vagrant.

Gerardo is deeply in love with longtime lover Jonas. When Jonas falls for a stranger he met at a local nightclub, heartbroken Gerardo soon seeks solace in the arms of Sergio. Despite other interests, Gerardo and Jonas can't bring themselves to end it.

This is the story of a dysfunctional family in which each member engages in an illicit activity, but they don't know this about each other. One day, the Contreras family witnesses a police operation outside the building in which they live and, believing that they are coming for them, each member decides to hide incriminating objects in their room.

Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.

When four women move into an old house left by one woman's aunt, strange things begin to happen. Bizarre voices, visions of ghosts, and mysterious noises lead them to discover the darkest powers of evil and a horror and agony beyond terror.

After a year of drought, Nicolas prepares for "The Tiger's Fight", a prehispanic ritual where the village men fight to imitate thunder and foster the rain, hope of a good harvest. Inspired by one of the last surviving blood rituals in Mexico, "The Tiger's Fight" tells the story of Nicolas, a young man who wants to preserve the ritual, even when his love defies the traditions of his people.

Ema finds out she is pregnant with an unplanned child she's not sure she wants to keep, the same week her beloved grandmother becomes gravely ill. Spending her last days at her grandmother's side, Ema is forced to spend time with her estranged, larger than life mother, getting to know her and seeing her with new eyes. As she spends time with the people gathered around her grandmother in her last days; Ema re-evaluates her beliefs, her fears and her set ideas about family, love and parenthood.

Two sisters of Mapuche descent, are hired as guides for a northamerican geologist, who works for an enterprise which want to build a dam, through an unexplored wood in Chile's south. Legend says woods are haunted by the spirits of dead Mapuche fighters, 500 years ago.

A man who travels back to the house of his father, grandfather and backwards.

A young revolutionary on the verge of death finds himself trapped in his desires for love. His feelings in the midst of war are clarified when he discovers that he wants to love and be loved by another man. This short film questions the notions of hatred that arise in homophobic coexistence.