Forward Films

In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.

Something sinister has come to the shores of Erin Island, unbeknownst to the quaint population of this sleepy fishing village resting somewhere off Ireland’s coast. First, some fishermen go missing. Then there is the rash of whale carcasses suddenly washing up on the beach. When the murders start, it’s up to two mismatched cops – an irresponsible alcoholic and his new partner, a by-the-book woman from the mainland – to protect the townsfolk from the giant, bloodsucking, tentacled aliens that prey upon them. Their only weapon, they discover, is booze. If they want to survive the creatures’ onslaught, everyone will have to get very, very drunk!

Darren Mullet, a bullied asthmatic, is driven to suicide by his tormented life - ignored by his parents, ridiculed by his teachers and bullied at school. He returns from the dead to pay his teenage tormentors a final visit.

In writer-director Nick Whitfield's black indie comedy, a pair of "exorcists" (Ed Gaughan and Andrew Buckley) with the power to rid people of their secrets agree to help a woman (Paprika Steen) whose daughter (Tuppence Middleton) is mute -- and whose husband is missing. Jason Isaacs co-stars as the mysterious Colonel, who seems to be calling the shots from the sidelines of the duo's shadowy enterprise.

A tale of the relationship between lonely schoolboy, Toby, and Arthur, or Art, an inflatable boy.

This documentary shows four Brazilians who were affected by the 2014 FIFA World Cup in different ways, from a woman selling street food by the stadiums to a man who was displaced by construction projects. It paints a social-political portrait of Brazil in this historical time - before, during and four years after the World Cup - and makes a commentary on FIFA, mega-events, and their long-term impacts on the host countries.

In Rain of the Children, Ward further explores the subject of his earlier film, In Spring One Plants Alone when, as a young film student he travelled to the Ureweras and documented the lives of an elderly Māori woman (Puhi) and her schizophrenic son (Niki).

This short documentary follows the life of a building in San Francisco, and its use by Harvey Milk and the founding of a movement at 575 Castro Street.